Round 01 of 15  ·  1 October  ·  Readings of liquid

Six readings of liquid

The first pass took the word liquid six ways and gave each its own page: liquid as how type leans, as a tide table, as data squeezed through a narrow place, as sediment, as two clocks drifting, as water finding its level. They were clever and they were graphic design. None of them moved like water, and none showed many things becoming one.

The pieces

6 pieces. Each opens live in a new tab.

Lean, still

Lean

Left

Liquid as how the type stands: upright when reserved, leaning when work runs through it. No picture at all.

Open the piece ↗
Almanac, still

Almanac

Left

Liquid as time that leaves and returns, set like a tide table in ruled columns.

Open the piece ↗
Narrows, still

Narrows

Carried

Liquid as data pressed through a narrow place at every handoff: wide, narrow, wide.

The funnel became the compression fans in Horizon; the flow lines became the current.

Open the piece ↗
Varve, still

Varve

Left

Liquid as value settling out, layer by checked layer, like a lake’s seasons.

Open the piece ↗
Beat, still

Beat

Carried

A strict clock and a loose one laid over each other; the image is the slow bands between.

The clock and its fixed offsets run through everything that followed.

Open the piece ↗
Level, still

Level

Left

Compute poured into vessels of any size stands at one level in all of them.

Open the piece ↗
Mikyö's note, which moved it on
None of these is really getting at what I’m going for: this kind of oceanic, fractal, motion graphics based visual metaphor of liquid compute and liquid training… Let’s take a deeper cut at this and really get weird.
Narrows and Beat named the most aligned.
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